|
||
|
|
|
|
||
|
||
|
A MAZE IN ZAZAZA ENTERS AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
THE MAGICALALPHABET
THE RAINBOW COVENANT OF THE MAGIKALALPHABET WITH A HANDFUL OF THESE SIGNS ALL THE WORDS OF ALL THE LANGUAGES OF ALL THE PEOPLE COULD IF NEED BE BE WRITTEN
THE CITY OF REVELATION John Michell 1972 Gnostic Numbers Page 118 "Exactly how they came by their science of numbers is not certain, but they appear to have made the discovery that the numerical code of the Hebrew cabala and those of other mystical systems throughout the world were all degenerate versions of the same once universal system of knowledge that returns within the reach of human perception at certain intervals in time. As the revealed books of the Old Testament were written in a code to be interpreted by reference to number, so were the revelations of the gnostic prophets expressed in words and phrases formed on a system of proportion, which gave life and power to the Christian myth, while allowing initiates to gain a further understanding of the balance of forces that produce the world of phenomena." Page 121 / How it was ever supposed that the Hebrew alphabet of twenty- two letters, together with various geometrical symbols might serve to represent the entire moving pattern of the universe is not now easy to understand; but, since all ancient philosophy, religion, magic, the arts and sciences were based on the concept of a correspondence between numbers and cosmic law, it is impossible to appreciate the history of the past without some actual experience of the fundamental truth behind this approach to cosmology. Plato gives a remarkable account in Cratylos of the origin of language and letters. The philosopher is asked whether there is any particular significance in names, for surely they are simply a matter of convention and one is more or less as good as another. After all, foreigners call things by different names and appear to manage just as well as the Greeks in this respect. The answer given is that despite appearances the matter is by no means so simple. Words are the tools of expression, and the making of these, as of any other tools, is the task of a skilled craftsman, in this case the lawgiver. Language has grown corrupt over the ages, and names have deviated from their original perfect forms, which are those used by the gods. But all names were originally formed on certain principles, through knowledge of which it is possible to discover the archetypal meaning of words in current use. 'So perhaps the man who knows about names considers their value and is not confused if some letter is added, transposed or subtracted, or even if the force of the name is expressed in quite different letters.' This is Plato's clearest reference to the mystical science of the cabala, in which letters, words and whole phrases may be substituted for others of the same numerical value. The force of a name is to be found in its number, and can be expressed through any combination of letters, provided the sum of the letters amounts to the appropriate number by gematria.
GNOSIS GODS SON IS
LETTERS AND NUMBERS AND NUMBERS AND LETTERS
THE LANGUAGE OF NUMBERS THE NUMBERS OF LANGUAGE
OF TIME AND STARS Arthur C. Clarke 1972 FOREWORD "'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.
Page 15 The Nine Billion Names of God 'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?' Page16 'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
I = 9 9 = I R = 9 9 = R
OF T9ME AND STA9S A9thu9 C. Cla9ke,1972 Page 15 'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?' 'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 wo9k we a9e 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.' '9 dont qu9te unde9stand…' 'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t 'Natu9ally.' '9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God' '9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,' 'And you have been do9ng th9s for three centu99es? 'Yes: we expected9t would take us about f9fteen thousand yea9s to complete the task.' 'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ? 'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply. 'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all' 9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …' 'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.' 'Th9ee? Su9ely you mean two.' 'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.' 'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.' 'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…" Page 68 Into the Comet
Abacus - Wikipedia The abacus (plural abaci or abacuses), also called a counting frame, is a calculating tool that was in use in Europe, China and Russia, centuries before the adoption of the written Hindu–Arabic numeral system. The exact origin of the abacus is still unknown. The abacus (plural abaci or abacuses), also called a counting frame, is a calculating tool that was in use in Europe, China and Russia, centuries before the adoption of the written Hindu–Arabic numeral system. The exact origin of the abacus is still unknown. Today, abaci are often constructed as a bamboo frame with beads sliding on wires, but originally they were beans or stones moved in grooves in sand or on tablets of wood, stone, or metal.
ADVENT 2170 ADVENT
BLESSED BE THE FRUIT OF THAT WOMBS FOETUS
I AM THE OPPOSITE OF THE OPPOSITE I AM THE OPPOSITE OF OPPOSITE IS THE AM I I ALWAYS AM
GOD WITH US 123456789 987654321 US WITH GOD
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
GREETINGS CHILD OF THE RAINBOW
THE HOURS OF HORUS THAT I OF THAT I OF THAT I THAT I AM SALUTES THE ALMIGHTY THAT IS THEE PEACE BE UNTO YOU GOODWILL UNTO ALL SENTIENT BEINGS
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
THE SO EVEN SEVEN THE MISSING NUMBER
THE RA - IN - BOW LIGHT
TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
TRANSPOSED LETTERS REARRANGED IN NUMERICAL ORDER
Ra was the sun god - Gods and Godesses Appearance: Man with hawk head and headdress with a sun disk. Ra was the sun god. He was the most important god of the ancient Egyptians ...
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
Re - The Sun God - Osirisnet The great creator god of Heliopolis (whoose name can be spelled Re or Ra, see why HERE) represented "the sun god" in the broad sense of the term, ...
Re: Sun King of the Egyptian Gods The god who personified the sun was one of the most important and widely-venerated of Egypt's deities. Re was considered a demiurge, or creator god, who
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
THE BALANCING 1 2 3 4 5 6 7 8 9
THE BALANCING 1 2 3 4 5 6 7 8 9
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Page 32 5
THE BALANCING ONE TWO THREE FOUR FIVE NINE EIGHT SEVEN SIX
THE BALANCING 1 2 3 4 5 6 7 8 9
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S ALWAYS BALANCING IS THAT FIVE THAT FIVE IS BALANCING ALWAYS
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
THE LIVING GODS ENERGIES GODS LIVING DIVINE THOUGHT THOUGHT DIVINE THE CREATORS R LIGHT PERFECT CREATORS I ME I ME I CREATORS PERFECT LIGHT R
FINGERPRINTS OF THE GODS Graham Hancock 1995 Chapter Nineteen Page 153 1 + 5 + 3 = 9 "In Egypt's early dynastic period, more than 4500 years ago, an 'Ennead' of nine omnipotent deities was particularly adored by the priesthood at Heliopolis. 5 Likewise in central America both the Aztecs and the Mayas believed in an all-powerful system of nine deities."
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
I HAVE COME HAVE YOU COME FROM WHOLE SOURCE FROM WHOLE SOURCE HAVE I COME R U RECEIVING ME RECEIVING U LOUD AND CLEAR
GODISGODISGODISGODISGODISGODISGODISGODISGODISGOD
FLUX IS COOL COOL IS FLUX 6336 919 3663 3663 919 6336 18 19 18 18 19 18 9 1 9 9 1 9 18 19 18 18 19 18 6336 919 3663 3663 919 6336 FLUX IS COOL COOL IS FLUX
LOGARITHM ALGORITHM
ALGORITHM LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL MORDER
MINUS THE 5
Algorithm - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Algorithm In mathematics and computer science, an algorithm is a step-by-step procedure for calculations. Algorithms are used for calculation, data processing, and ..
I ME YOU SENTIENT LIFE SENTIENT BEINGS BE IN GOD IN BE BEINGS ALL R GODS R ALL CREATORS ALWAYS CREATORS ISISIS EVERYTHING EVERYWHERE GODS EVERYWHERE EVERYTHING
ELECTRIC = ET CIRCLE = ELECTRIC
RE LIGI ON LIGHT ON RE RE ON LIGHT RE LIGI ON
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
ELECTRIC ET CIRCLE ET ELECTRIC
ELECTRIC = ET CIRCLE = ELECTRIC
ELECTRIC = ET CIRCLE = ELECTRIC
UNCONDITIONAL LIFE MASTERING THE FORCES THAT SHAPE PERSONAL REALITY Deepak Chopra 1991 A Mirage of Miracles Page 89 "The Mask of Maya" "...denoting the ability of gods to change form, to make worlds, to assume masks and disguises." "Maya also means magic a show of illusions" "Maya also denotes the delusion of thinking that you are seeing reality when in fact you are only seeing a layer of trick effects superimposed upon the real reality True to its deceptive nature, Maya is full of paradoxes. First of all it is everywhere, even though it doesnt exist. It is / Page 90 / often compared with a desert mirage, yet unlike a mirage Maya does not merely float "out there" The Mysterious One is nowhere if not in each person. Finally Maya is not so omnipotent that we cannot control it - and that is the key point Maya is fearfull or diverting all powerful or completely impotent depending on your perspective." "The fearfull illusion becomes a wonderful show if only you can manipulate it."
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
Web definitions for pentateuch Search ResultsPentateuch - definition of Pentateuch bythe Free Online ... --------------------------------------------------------------------------------
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
ESOTERIC PENETRATE ESOTERIC
ESOTERIC PENETRATE ESOTERIC
THE BALANCING I 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1 I 2 3 4 FIVE 6 7 8 9 9 8 7 6 FIVE 4 3 2 1 I 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
PROMETHEUS MET ORPHEUS MET PROMETHEUS
ORPHEUS MET PROMETHEUS MET ORPHEUS MET PROMETHEUS
Prometheus - Wikipedia, the free encyclopedia In Greek mythology, Prometheus 1] is a Titan, culture hero, and trickster figure who is credited with the creation of man from clay, and who defies the gods and ... Prometheus From Wikipedia, the free encyclopedia This article is about the Greek mythological figure. For other uses, see Prometheus (disambiguation). In Greek mythology, Prometheus (/prəˈmiːθiːəs/; Greek: Προμηθεύς, pronounced [promɛːtʰeús], meaning "forethought")[1] is a Titan, culture hero, and trickster figure who is credited with the creation of man from clay, and who defies the gods and gives fire to humanity, an act that enabled progress and civilization. Prometheus is known for his intelligence and as a champion of mankind.[2] The punishment of Prometheus as a consequence of the theft is a major theme of his mythology, and is a popular subject of both ancient and modern art. Zeus, king of the Olympian gods, sentenced the Titan to eternal torment for his transgression. The immortal Prometheus was bound to a rock, where each day an eagle, the emblem of Zeus, was sent to feed on his liver, which would then grow back to be eaten again the next day. (In ancient Greece, the liver was thought to be the seat of human emotions.)[3] In some stories, Prometheus is freed at last by the hero Heracles (Hercules). In another of his myths, Prometheus establishes the form of animal sacrifice practiced in ancient Greek religion. Evidence of a cult to Prometheus himself is not widespread. He was a focus of religious activity mainly at Athens, where he was linked to Athena and Hephaestus, other Greek deities of creative skills and technology.[4] In the Western classical tradition, Prometheus became a figure who represented human striving, particularly the quest for scientific knowledge, and the risk of overreaching or unintended consequences. In particular, he was regarded in the Romantic era as embodying the lone genius whose efforts to improve human existence could also result in tragedy: Mary Shelley, for instance, gave The Modern Prometheus as the subtitle to her novel Frankenstein (1818). Contents [hide] 1.2 The Athenian Tradition of Prometheus: Aeschylus and Plato 1.2.1 Aeschylus and the Ancient Literary Aesthetics of Prometheus 1.3 Other authors 2 Religious symbolism in late Roman antiquity
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
THE BALANCING OF BETWEEN IN BETWEEN
BETWEEN IN BETWEEN 2+5+2+5+5+5+5 +9+5 +2 5 2 5 5 5 5 9 2222 5 5 5 5 5 5 5 5 5 5 5 2+5+2+5+5+5+5 +9+5 +2 5 2 5 5 5 5 BETWEEN IN BETWEEN
I SAY O DIVINE WEPWAWET OPENER OF THE WAYS HOW MANY FIVES IN THE WORD WEPWAWET
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Page 32 5
THE BALANCING ONE TWO THREE FOUR FIVE NINE EIGHT SEVEN SIX
THE E AT DELPHI THE 5 AT DELPHI THE E AT DELPHI
PLUTARCH MORALIA VOLUME LCL 306 V With an English Traslation by Frank Cole Babbitt 1999 Page 194 INTRODUCTION "PLUTARCH, in this essay on the E at Delphi, tells us that beside the well-known inscriptions at Delphi there was also a representation of the letter E, the fifth letter of the Greek alphabet. The Greek name for this letter was El, and this diphthong, in addition to being used in Plutarch's time as the name of E (which denotes the number five), is the Greek word for" if," and also the word for the second person singular of the verb" to be " (thou art). (2) El is the second vowel, the Sun is the second planet, and Apollo is identified with the sun (El = R, the vowel).
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
WHERE DOES THE WEIRDNESS GO David Lindley 1996 WHY QUANTUM MECHANICS IS STRANGE BUT NOT AS STRANGE AS YOU THINK Page ix Introduction: Why do I trust my computer? "The computer I've been using to write these words has been satisfactorily reliable: I switch it on and off repeatedly, calling up files that contain the words I wrote last time, adding new words, shuffling the old ones around, and saving the results for next time. I rarely trouble to think what is going on inside the computer that lets me see my words on the screen, or move them painlessly from one place to another, or restore a sentence that I accidentally erased, or play a game of solitaire in the odd moment when inspiration deserts me. And if I do think about these inner workings, I'm not nearly enough of a computer expert to be able to say at all accurately what is happening in the machine. Instead, I tend to comfort myself with plausible analogies that give me a sense that I more or less know how the computer works, without going to the difficulty of mastering the volumes of technical detail I would need to know to understand it properly (which, I'm happy to say, I don't need to. The reliability of my computer gives me ample confidence that there are dogged and knowledgeable people in the world who can indeed design and build these things). And when I have done for the day and want to store what I have written, I can tell the computer to send the sequence of electrical zeroes and ones to the hard disk, where they are encoded now as a series of magnetic blips on the disk's surface. To get an idea of how the hard disk works, I imagine its surface to be studded with tiny magnets whose poles can be flipped one way or the other on command, to record either a zero or a one. The hard disk is perhaps ten centimeters across, and can store 120 megabytes of data (the computer is a few years old, or that figure would be more like 1,000 megabytes); one byte, in standard computer technology, is a word of eight binary bits-eight zeroes or ones-so that all in all my hard disk can accommodate close to a billion blips of data. Each of those tiny magnets must, according to a quick calculation, be a few millionths of a meter across. This is the size of a grain of dust, too small to be seen by the unaided eye, and yet my computer can record and retrieve data on the hard disk as if these magnetized dust grains \vere levers that could be set firmly up or down, like the signal levers that an old-time railway signalman would operate, and it can set and read millions of these levers in a fraction of a sec- , ond. How can invisible dust grains be so dependable? How can I store and retrieve a file of written words hundreds of times without ever a single dust grain accidentally flipping the wrong way, or being disturbed by some wayward external influence? Page xi On the rare occasions that I think about the inner workings of my computer, I resort to mechanical images of this sort. I conjure up familiar pieces of machinery-pinball flippers, railway switches and signals-and then imagine that these devices can be reduced to the size of dust grains, and arranged into fantastically complicated networks. This doesn't really tell me how my computer works, but it lets me think I have the right kind of idea in my head, and that I could understand it, really, if I wanted to. And now, thinking about all this, my assurance that I understood how my computer works and how it can be so reliable begins to crumble. If I'm not allowed to think of the electrons as pin balls rattling around the precisely engineered pathways of the silicon chips, if they are really sloshing about like waves in
/ Page xii / channels, if the uncertainty principle tells me an electron cannot be altogether in this place but has to be also a little bit in that place at the same time, how can my computer perform the same tasks over and over again with such reliability? And if there's some unpredictability associated with every act of measurement, how can I trust the data I read off the hard disk since, in effect, reading the data amounts to measuring the orientations of all those little magnetized dust grains? Quantum mechanics, or so I recan from my education in physics, says that at the most "fundamental level, the world is not wholly knowable, and not ""wholly" dependable. In dealing with individual electrons or the magnetic alignment of individual atoms, I must think not in certainties but in probabilities. Nevertheless, my computer continues to work, as imperturbably as ever. A standard answer to this riddle is that, in fact, a computer does not rely on individual electrons and atoms for its operation. The signals that make up the zeroes and ones chasing around its silicon pathways are gangs of perhaps a trillion electrons. The magnetic dust grains on the hard disk are built from trillions of atoms. These things may be microscopic by human standards, but compared to the individual inhabitants of the quantum world they are nevertheless gigantic. And so, ifs sometimes claimed, the quantum mechanical strangeness that besets individual electrons and atoms, and bedevils our thinking about them, becomes negligible when we think about the trillions of electrons and atoms on whose collective behavior my computer depends. But what sort of an answer is this? Why should an assembly of a trillion weird little quantum objects behave any less mysteriously than its components? A trillion drops of water make a bucket of water, not a concrete block. If it's true that the weirdness of the quantum mechanical world seems to disappear when we look at "big" objects, then where, precisely, does that weirdness go? If we can't trust a single electron to be precisely in one place at one time, how can we trust a throng of electrons /Page xiii /
to invariably represent the letter a on my computer screen, and not turn casually into a z? To understand the answer, you have to first formulate the question. The quantum world is an undeniably strange place, working to unfamiliar rules, and in the first part of the book I have tried to explain, as clearly as I know how, what that strangeness consists of and (just as important) what it is not. With the essentials laid out, I delve briefly into some of the misguided efforts that have been pursued over the years in the hope of making quantum mechanics look less weird than it really is. Only, in the end, by accepting the true nature of quantum mechanical weirdness does it become possible to see exactly what the central problem is, and how, in practice, nature gets around it. DRAMATIS PERSONAE Niels Bohr-a sage, late of Copenhagen; the founding father and guiding spirit of the Copenhagen interpretation of quantum mechanics ACT I Mechanical Failure
Page 3 The mystery of the other glove You and a friend are at Heathrow Airport, London. You each have a locked wooden box containing a glove. One box contains the right-handed glove of the pair, the other the lefthanded glove, but you don't know which box is which. Both of you also have keys, but they are not the keys to the boxes you are carrymg. Thus equipped; you board a plane and fly to Los Angeles. When you get to Los Angeles you use your key to open a locker at the airport, and inside you find another key. This is the key to your wooden box, which you now open to discover that the glove you have brought to Los Angeles is the righthanded one. As soon as you know this, of course, you know also that your friend's wooden box, by now in Hong Kong, contains the left-handed glove. With that instantaneous realization, you have acquired a piece of knowledge about a state of affairs on the other side of the world. But still, you think there might be some way of exploiting your knowledge to influence your friend's behavior. Suppose, before you both set off on your plane trips, you had agreed with your friend that if she found the left-handed glove in her box she would proceed to Tokyo, but if she got the right-handed one she would fly to Sydney. Does your opening the box in Los Angeles determine where she ends up? By no means: whichever glove was in her box was there from the outset, so whether she has to fly to Tokyo or Sydney is predetermined. When you open your box in Los Angeles you instantly know where she must be going next, but her destination is as much of a surprise to her as it is to you. As before, you've now found out what happens next, but you haven't had any influence over it. But now let's change the story. The gloves in the two boxes are, you are informed, of a strange and magical kind, unlike any
gloves you have come across before. They still make up a pair, but for as long as they are sealed in their boxes, they are neither right-handed nor left-handed but of an unfixed, indeterminate / Page 5 /
nature. Only when a box is opened; letting in the light, is the glove inside forced to become either right-handed or lefthanded. And there is a fifty-fifty chance of either eventuality. On the other hand, when you now arrive at Los Angeles and open your box to find, let us suppose, a right-handed glove, you begin to think that things are not as straightforward as before. You immediately know that when your friend opens her box, she must discover a left-handed glove. But now, apparently, some sort of signal or information must have traveled from your glove to hers, must it not? If both gloves were genuinely indeterminate before you opened your box and looked inside, then presumably as soon as your glove decided to be a righthanded one, hers must have become left-handed, so that the two would be guaranteed to remain a pair. Does this mean that your act of observing the glove in Los Angeles instantaneously reduced the indefiniteness of its partner in Hong Kong to a definite state of left-handedness? But it occurs to you that there's another possibility. How do you know your friend didn't get to Hong Kong first and open her box before you had a chance to open yours? In that case, she evidently found a left-handed glove, which forced yours to be right-handed even before you looked inside your box. So if there was an instantaneous transmission of information, it might have gone the other way. Your friend's act of opening her / Page 6 / box determined what sort of glove you would find, and not the other way around. And then, you think, the only way to find out which way the instantaneous information went, from your glove to hers or from hers to yours, is to pick up the phone, call Hong Kong, and find out what time she opened her box. But that phone call goes no faster than the speed of light. Now you are getting really confused: there seems to have been some kind of instantaneous communication between the two gloves, but you can't tell which way it went, and to find out you have to resort to old-fashioned, slower-than-light means of communication, which seems to spoil any of the interesting tricks you might be able to figure out if there. really had been an instantaneous glove-to-glove signal. And if you think again of the strategy whereby your friend had to get on a plane to either Tokyo or Sydney, depending on which glove she found in her box, you realize you are no more able than before to influence her choice by your action in Los Angeles. The rules of the game are such that you have a fiftyfifty chance of finding either a right-handed or a left-handed glove in your box, so even if you are sure that you have opened your box before she opened hers, and even if you think that opening your box sends an instantaneous signal to hers, forcing her glove to be the partner of yours, you still have no control over which glove you find. It remains a fifty-fifty chance whether she'll end up in Tokyo or Sydney, and you still have no say in the matter. And now you're even more confused. You think there's been some sort of instantaneous transmission of information, but you can't tell which way it went, and you can't seem to find a way to communicate anything to your friend by means of this secret link between the gloves. And perhaps you conclude it's a good thing glove gloves aren't like this. / Page 7 / In that, you would be in agreement with Albert Einstein. It's true that gloves don't behave this way but, according to quantum mechanics, electrons and other elementary ary particles do. These particles have properties which, apparently, lie in some unresolved intermediate state until a physicist comes along and does an experiment that forces them to be one thing or the other. And that physicist cannot know in advance, for sure, what particular result any measurement is going to yield; quantum mechanics predicts only the probabilities of possible results. This offended Einstein's view of what physics should be like. The story we just went through, about indeterminate gloves being taken to separate places and examined by two different people, is part of an experimental setup that Einstein and some colleagues devised as a way to show how absurd and unreasonable quantum mechanics really is. They hoped to convince their glovet colleagues that something must be wrong with a theory that demanded signals traveling faster than the speed of light. In which things are exactly what they are seen to be Ultimately, there must be recourse to experimental evidence. If Quantum mechanics asserts that the act of measurement does not simply yield information about a preexisting state, but / Page 9 / rathr forces a previously indeterminate system to take on a definite appearance, there must be empirical reasons for the assertion. Even theoretical physicists would not come up with so bizarre and counterintuitive an idea if they were not forced to it."
THE LOVE THAT FITS YOU LIKE A GLOVE HAND IN GLOVE IN HAND HAND ON ART ON HAND IF YOU BELIEVE THAT YOU WILL BELIEVE ANYTHING BELIEVE
I SAY EXACTLY I SAY I SAY I EXACTLY SAY I
I SAY READING GLOVE READ LOVE READ GLOVE READING COMMONSENSE LOVE SENSECOMMON COMMON GOOD GODS LOVE GODS GOOD COMMON
THE EMPERORS'S NEW MIND CONCERNING COMPUTERS, MINDS, AND THE LAWS OF PHYSICS Roger Penrose 1989 QUANTUM MAGIC AND QUANTUM MYSTERY EXPERIMENTS WITH PHOTONS: A PROBLEM FOR RELATIVITY? Page 369 "We must ask whether actual experiments have borne out these astonishing quantum expectations. The precise experiment just described is a hypothetical one which has not actually been performed, but similar experiments have been performed using the polarizations of pairs of photons, rather than the spin of spin-one-half massive particles. Apart from this distinction, these experiments are, in their essentials, the same as the one described above - except that the angles concerned (since photons have spin one rather than one-half) would be just one-half of those for spin-one-half particles. The polarizations of the pairs of photons
have been measured in various different combinations of directions, and the results are fully in agreement with the predictions of
quantum theory, and inconsistent with any local realistic model! Page 370 " But we saw in the last chapter that, so long as relativity holds true, the sending of signals faster than light leads to absurdities (and conflict with our feelings of 'free will', etc., cf. p. 273). This is certainly true, but the non-local 'influences' that arise in EPR-type experiments are not such that they can be used to send messages as one can see, for the very reason that they would lead to such absurdities, if so. (A detailed demonstration that such 'influences' cannot be used to signal messages has been carried out by Ghirardi, Rimini, and Weber 1980.) It is of no use to be told that a photon is polarized 'either vertically or horizontally', (as opposed, say, to 'either at 60° or 150°') until one is informed which of the two alternatives it actually is. It is the first piece of 'information' (i.e. the directions of alternative polarization) which arrives faster than light ('instantaneously'), while the knowledge as to which of these two directions it must actually be polarized in arrives more slowly, via an ordinary signal communicating the result of the first polarization measurement. Fig. 6.32. (omitted) Two different observers form mutually inconsistent pictures of 'reality' in an EPR experiment in which two photons are emitted in opposite directions from a spin-O state. The observer moving to the right judges that the left-hand part of the state jumps before it is measured, the jump being caused by the measurement on the right. The observer moving to the left has the opposite opinion!"
http://home.btconnect.com/scimah/Quantumphenomena.htm Spooky action at a distance - EPR "One of the most vivid illustrations of the interactions of the mind of the observer with a quantum system is given by EPR - the 'Einstein Podolsky Rosen Paradox', or 'Spooky action at a distance' as it is sometimes known. The experimental evidence seems to show that the observer's mind goes to its object unobstructedly and instantaneously, for example through ten kilometres of intervening Geneva city-scape (walls, buildings, railway stations, the lot!) at speeds exceeding that of light.
MUSIC OF THE MIND Darryl Reanney 1994 An Adventure Into Consciousness Page 77 REALITIES WE DO NOT SEE "This is the strange reality-all thoughts, whatever 'waveband' they occupy, exist in the disembodied reality of the quantum dream. The essence of a quantum ripple is that it exists in an indeterminate, non-localised state, in that uninhabited quantum 'space' where there is neither yesterday nor tomorrow, neither here nor there. Moreover, a thought, once created, no longer needs the physical structure of the brain that made it to sustain it further-it is thereafter just as 'real' as an electron or a stone.
Charles Bonnet syndrome (CBS) is a disease that causes patients to have complex visual hallucinations, first described by Charles Bonnet in 1769 [1]. ... en.wikipedia.org/wiki/Charles_Bonnet_syndrome Charles Bonnet syndrome From Wikipedia, the free encyclopedia Jump to: navigation, search Charles Bonnet syndrome (CBS) is a disease that causes patients to have complex visual hallucinations, first described by Charles Bonnet in 1769 [1]. A typical profile of a person suffering with CBS has been compiled based upon recent research.[2]. Contents[hide] 1 Characteristics 2 Causes 3 Prognosis 4 Treatment 5 History 6 Society and culture 7 See also 8 References 9 External links [edit] Characteristics Sufferers, who are mentally healthy people, have vivid, complex recurrent visual hallucinations (fictive visual percepts). One characteristic of these hallucinations is that they usually are "lilliput hallucinations" (hallucinations in which the characters or objects are smaller than normal). Sufferers understand that the hallucinations are not real and the hallucinations are only visual, that is, they do not occur in any other senses, eg: hearing, smell or taste[3][4]. The prevalence of Charles Bonnet syndrome has been reported to be between 10% and 40%; a recent Australian study has found the prevalence to be 17.5% [2]. Two Asian studies, however, report a much lower prevalence [5].[6]. The high incidence of non-reporting of this disorder is the greatest hindrance to determining the exact prevalence; non-reporting is thought to be as a result of sufferers being afraid to discuss the symptoms out of fear that they will be labelled insane[4]. People suffering from CBS may experience a wide variety of hallucinations. Images of complex coloured patterns and images of people are most common, followed by animals, plants or trees and inanimate objects. The hallucinations also often fit into the person's surroundings[2] [edit] Causes CBS predominantly affects people with visual impairments due to old age or damage to the eyes or optic pathways. In particular, central vision loss due to a condition such as macular degeneration combined with peripheral vision loss from glaucoma may predispose to CBS, although most people with such deficits do not develop the syndrome. The syndrome can also develop after bilateral optic nerve damage due to methyl alcohol poisoning [7]. Charles Bonnet syndrome has not been reported in children. [edit] Prognosis There is no treatment of proven effectiveness for CBS. It usually disappears within a year or 18 months, but this can vary greatly from person to person. Some people experience CBS for anywhere from a few days up to many years, and these hallucinations can last only a few seconds or continue for most of the day. For those experiencing CBS, knowing that they are suffering from this syndrome and not a mental illness seems to be the best treatment so far, as it improves their ability to cope with the hallucinations. Most people with CBS meet their hallucinations with indifference, but they can still be disturbing because they may interfere with daily life. It seems that there are a few activities that can make the hallucinations stop although many people are not aware of these. Interrupting vision for a short time by closing the eyes or blinking is sometimes helpful[2]. [edit] Treatment Because there is no prescribed treatment, the physician will consider on a case by case basis whether to treat any depression or other problems that may be related to CBS. A recent case report suggests selective serotonin reuptake inhibitors may be helpful.[8]. [edit] History Charles Bonnet, first to describe the syndrome. The disease is named after the Swiss naturalist Charles Bonnet, who described the condition in 1769. He first documented it in his 89-year-old grandfather, who was nearly blind from cataracts in both eyes but perceived men, women, birds, carriages, buildings, tapestries, and scaffolding patterns. [edit] Society and culture This syndrome is well portrayed in Vilayanur S. Ramachandran's book Phantoms in the Brain and in Vikram Chandra's book Sacred Games. All main characters in Six Feet Under have these types of hallucinations at least throughout the run of the show. [edit] See also Phantom eye syndrome Musical ear syndrome [edit] References ^ de Morsier G (1967)"Le syndrome de Charles Bonnet: hallucinations visuelles des vieillards sans deficience mentale" (in French). Ann Med Psychol 125:677-701. ^ a b c d Vukicevic M, Fitzmaurice K (2008) "Butterflies and black lacy patterns: the prevalence and characteristics of Charles Bonnet hallucinations in an Australian population". Clinical and Experimental Ophthalmology. 36:659-65 ^ Schultz G, Melzack R (1991) "The Charles Bonnet Syndrome: phantom visual images". Perception. 20:809-25 ^ a b Mogk LG, Riddering A, Dahl D, Bruce C, Brafford S (2000) "Charles Bonnet Syndrome in adults with visual impairments from age-related macular degeneration. In Stuen C et al Vision Rehabilitation: Assessment, Intervention and Outcomes.117-119 ^ Tan C, Lim V, Ho D, Yeo E, Ng B, Au Eong K. (2005)"Charles Bonnet syndrome in Asian patients in a tertiary ophthalmic centre". British Journal of Ophthalmology.88(10):1325-9 ^ Abbott E, Connor G, Artes P, Abadi R. "Visual Loss and Visual Hallucinations in Patients with Age-Related Macular Degeneration (Charles Bonnet Syndrome)". Investigative Ophthalmology and Visual Science.48:1416-23. ^ Olbrich HM, Lodemann E, Engelmeier MP (1987). "Optical hallucinations in the aged with diseases of the eye" (in German). Z Gerontol. 20 (4): 227–9. PMID 3660920 ^ Lang et al. (2007)J. Psychopharmacology 2007; 21:553. [edit] External links FAQ at RNIB Fortean Times article on Charles Bonnet syndrome 'Damn Interesting' article on Charles Bonnet syndrome Mentioned in a radio article on The Blindfold Study, which is looking at the brain's ability to adapt to different stimuli. National Public Radio article with an audio segment about Charles Bonnet syndrome Charles Bonnet syndrome Complications of macular degeneration The Charles Bonnet syndrome: 'phantom visual images' Harmless Hallucinations in the Elderly by Bernard Baars (From: Science and Consciousness Review) Ghostly faces and visions of 'little people': The eye disorder that leaves thousands of Britons fearing they've lost their senses by Morag Preston (From: DailyMail)
http://www.dailymail.co.uk/health/article-1134415/Ghostly-faces-visions-little-people-The-eye-disorder-leaves-thousands-Britons-fearing-theyve-lost-senses.html Ghostly faces and visions of 'little people': The eye disorder that leaves thousands of Britons fearing they've lost their senses Comments (11) Add to My Stories Following his wife's death six years ago, David Stannard has become accustomed to spending quiet evenings alone at his home in Walton-on-Thames, Surrey. So it came as a surprise to the 73-year-old when he looked up from his television one evening to discover he was sharing his living room with two RAF pilots and a schoolboy. 'The pilots were standing next to the TV, watching it as if they were in the wings of a theatre,' he says. An estimated 100,000 people in Britain have Charles Bonnet Syndrome (CBS), which leads to hallucinations. These can include visions of miniature people 'The little boy was in a grey, Fifties-style school uniform. He just stood there in the hearth looking puzzled. He was 18 inches high at most.' Mr Stannard's guests never said a word and vanished after 15 minutes. That night, he says, the walls of his house, which had always been white, looked as though they had been redecorated in patterned wallpaper with a brickwork effect. The next morning he was caught off-guard again when he found a fair-haired girl standing on his sofa. She also appeared to be from the Fifties, but was life-size, wearing a short skirt and pink cardigan, with chubby knees, white ankle socks and ribbons in her hair. 'I watched her for a while,' he says. 'She didn't move much. Then she was gone.' It would be easy to dismiss Mr Stannard's story as the bizarre imaginings of an elderly mind. Fortunately, he knew he wasn't losing his mind; neither was his house haunted. A few weeks earlier he had been registered blind, though he was still able to watch television if he sat at a certain angle. He'd been warned that as his eyesight deteriorated, he might experience visual hallucinations in the form of Charles Bonnet Syndrome (CBS). 'I was lucky enough to know what it was,' he says, 'otherwise I would have thought I was going bonkers.' An estimated 100,000 people in the UK have CBS, but many won't realise it because the condition remains something of a mystery. Lord Dacre of Glanton jokingly referred to his 'phantasmagoria' The real number is probably higher because sufferers are often too ashamed to talk about what they have seen for fear of being considered crazy. The late historian Lord Dacre of Glanton, formerly Hugh Trevor-Roper, was unusual among CBS patients in that he talked openly about what he jokingly referred to as his 'phantasmagoria'. He would see horses and bicycles racing, and whole landscapes whizzing by as if he were on a train. On one occasion, he found himself trapped in an apparently endless tunnel. Hallucinations tend to have common themes: simple geometric patterns, disembodied faces with jumbled features, landscapes, groups of people, musical notes, vehicles and miniature figures in Victorian or Edwardian costume. They can be in black and white or colour, moving or still, but they are always silent. The condition was named after Charles Bonnet, an 18th-century Swiss natural philosopher whose grandfather had seen people, patterns and vehicles that were not really there. Bonnet was the first person to identify that you could have visual hallucinations and still be mentally sound. The condition can affect anybody at any age with diminishing eyesight. Even people with normal vision can develop it if they blindfold themselves for long enough. But most people who have CBS have it as a side-effect of age-related macular degeneration - the most common cause of blindness in the UK. It is thought that up to 60 per cent of patients with severe vision loss develop CBS. Crucially, CBS is caused by lack of visual stimulation rather than mental dysfunction. Usually, on opening our eyes, the nerve cells in the retina send a constant stream of impulses to the visual parts of the brain. If the retina is damaged, the stream of impulses reduces, but - rather than lie dormant - other parts of the brain become hyperactive. So when the brain isn't receiving as many pictures as it is used to, it builds its own artificial images instead from the areas we use every day to process faces, objects, landscapes and colours. What you hallucinate depends on which part of the brain these increases are located. But why only a proportion of patients with macular degeneration experience hallucinations is still unknown, or why younger patients with macular degeneration are less likely to have CBS than older ones. Dr Dominic ffytche, a senior lecturer at the Institute of Psychiatry, is a leading expert on CBS. He has been at the forefront of a campaign led by the Royal College of Ophthalmologists and The Macular Disease Society calling for eye doctors to warn patients with macular degeneration that they may develop CBS. It is thought that stimulating the fingertips, for example by feeling a dice with dimples, can help sufferers of CBS stop experiencing hallucinations He says: 'In our experience, forewarning and knowledge of the possibility of hallucinations helps patients cope when they occur. It allows them to realise this indicates a functional problem with their sight and not a problem with their mind.' In 2003, Sandra Jones, 54, a former TV producer, thought she was losing her mind when she started seeing faces looming towards her out of nowhere. Having visited various massacre sites, including Rwanda, as part of her job, she assumed it was a form of post-traumatic stress disorder. 'Part of me thought this was payback time,' she says. The faces would swirl off the pages of the book she was reading, or appear in front of her computer screen. It would happen three or four times a day, usually when she was feeling relaxed or trying to get to sleep. 'Some nights I couldn't lose them and I would only get an hour's sleep,' she says. 'Closing my eyes wouldn't help, so I'd get up and clean my house just to keep moving. I got the feeling that if I was tired, it would help me fall asleep, which would then free up my mind.' She didn't dare tell friends or anyone at work for fear of jeopardising her job, and found out about CBS only after researching her symptoms online. Earlier that year she had been diagnosed with Sorsby's fundus dystrophy, a rare genetic eye condition which causes early onset macular degeneration, but nobody had warned her that hallucinations might be a side-effect. If the retina is damaged, the stream of impulses reduces and other parts of the brain become hyperactive (file photo) 'The unpleasant feeling was of not being in control,' she says. 'Once they are identified, they are not a problem.' Hallucinations can last from only a few seconds to several hours. In a minority of unlucky cases, they are continuous throughout the day. Patients usually have several daily before they taper off to once a week, then once a month. For 60 per cent of patients, they will stop entirely after 18 months. There has not yet been a long-term study, but some patients report having them for at least three years. Part of Dr ffytche's research involves looking into ways patients can stop the hallucinations. 'There won't be a single recipe for everyone,' he says. 'But hallucinations tend to occur when you are in a state of drowsy wakefulness, so you want to rouse yourself.' As the condition is caused by a lack of stimulation in the visual part of the brain, one of the techniques he is investigating is stimulating the fingertips. This is based on the fact that studies of brain scans of sight-impaired people reading Braille show increased activity in that area. The theory is that even feeling a dice with dimples could bring visions to a halt. Other techniques include holding your breath; turning on a light if it is off, or vice-versa; standing up if you are sitting down; and moving your eyes. In extreme cases, medication is used. But the drugs can have side-effects such as tremors, drowsiness, sickness and diarrhoea. Dr Winfried Amoaku, chairman of the Scientific Committee of the Royal College of Ophthalmologists and a specialist in macular degeneration, says when they come to visit him, patients do two things: first, they request that nobody else is in the room before mentioning the hallucinations, then afterwards they breathe a sigh of relief. For Mary Orr, 84, from West Kilbride, the final straw was seeing the walls of her house covered in white fur. In desperation, she started to claw at them. 'It was then I thought: "I can't live like this," ' she says. After months assuming she had dementia, she was referred to a psychiatrist who recognised the signs of CBS straight away and told her to see an eye doctor. It explains why she still sees pink squares and snakes rising out of the pavement, but Mary is resolute that the worst is behind her. As she says: 'It's the fear of not knowing what's happening that you can't live with.' • The Macular Disease Society, www.maculardisease.org, 0845 241 2041; Royal National Institute for the Blind, www.rnib.org.uk, 0303 123 9999 Here's what readers have had to say so far. Why not add your thoughts below? Interesting. However, psychics do not "see" people with their eyes, but their minds, so this seems to tally with this blind syndrome. - Shirley, UK, 04/2/2009 09:56 I had to download information from the internet and take a printed copy to hospital where my mother [who had MD] was a patient.Staff assumed that she suffered from dementia ,and found it amusing! Mum was distressed and embarrassed to be treated as an object of fun! Neither medical or nursing staff were prepared to consider that the reported visions had a rational explanation - Marion, Mold Flintshire, 03/2/2009 19:10
THIRTEEN = 99 99 = THIRTEEN
THE R IN EVOLUTION REVOLUTION
WHOS THERE
WHOS THERE
WHOS THERE
TRANSFORMATION THE BREAKTHROUGH Whitley Strieber 1988 Page 128 "Dr Gliedman had given me his essay "Quantum Entanglements: On Atomic Physics and the Nature of Reality," and I had been reading it..." "Page 129 "I returned to Dr. Gliedman's essay. I read the following sentence: "The mind is not the playwright of reality." At that moment there came a knocking on the side of the house. This was a substantial noise, very regular and sharp. The knocks were so exactly spaced that they sounded like they were being produced by a machine. Both cats were riveted with terror. They stared at the wall. The knocks went on, nine of them in three groups of three, followed by a tenth lighter double-knock that communicated an impresssion of finality. These knocks were coming from just below the line of the roof, at a spot approximately eighteen feet above the gravel driveway. Below the point of origin of the knocks were two open windows. Had anybody been out on the driveway with a ladder I would certainly have heard their movements on the gravel. In addition, to get a ladder to that point they would have activated the movement-sensitive lights. But it was dark beeyond the windows. It would be next to impossible to stand on the sharply angled roof that covers the living room of the cabin. While the angle of the roof above the upstairs bedroom is almost flat, this roof is extremely steep. What's more, I would cerrtainly have heard anybody crawling around on the roof. There would have been creaks and groans from the boards, and there is no question but that I would have noticed the sounds, given the profound silence of the country night. I am absolutely dead certain about the reality of the knocks. They were not made by the house settling. Nothing but an intentional act could have produced such loud, evenly spaced sounds. They were not a prank being played by neighbors. In the summer of 1986 I had not yet told my neighbors about the visitors. What's more, the prank explaanation was hopelessly impractical. To reach the place from which I heard the knocks..." Page 131 cannot be put down to disease. Such a thing is not a sympptom. My cats would not have reacted to something happenning in my mind. I am reporting a true event. It was the first definite, physical indication I had while in a state of commpletely normal consciousness that the visitors were part of this world. They were responding to my attempts to develop the relationship and accept my fear by making their physical reality more plain. The stunning event of August 27, 1986, strengthened my wavering resolve to keep the matter where it belongs, which is in question. It is an awfully serious business, and it cannot be removed from question except as we learn more facts. Should we decide to believe something about this that is not true, we will ruin it for ourselves. We will form yet another mythology around the visitors, as I suspect we have been doing throughout our history. The moment after the nine knocks I thought to go outtside. I also thought, You're not ready yet. You just go up to bed. The next morning I thought that was exactly what I had done. But there was something wrong. While the knocks were taking place I was unquestionably in a normal state of mind. As soon as I began to move from the chair, though, I feel that I may have entered another state. Unfortunately, I did not remember that something may have happened after the knocks until weeks later. On the morning after, my immediate thought was that I had failed miserably. The visitors had come, had knocked-and I'd just sat there, too scared even to open the door! I therefore don:t know whether I concocted the subseequent memories to make myself feel better, or if they were hidden by a more prosaic screen memory. One day I glanced at the clock on our videotape machine and suddenly remembered seeing it when it said 2:18 A.M. An instant later I recalled that I'd seen it reading that time as I went upstairs on the night of the nine knocks. But they Page 134 (omitted) TWELVE Fire of the Question "In the days after I heard the nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three perfectly measured, exactly spaced sounds, each precisely as loud as the one previous. And then there had been a soft double-knock completely different in tone from the others. It had communicated a distinct sense of finality, and seemed by its lightness of tone not to be a part of the group. The nine knocks were a sort of communication. The tenth was punctuation..." Page 135 "The nine knocks made me struggle even harder to understand. And I did not understand. But I had a few ideas It was as if I had discovered an unknown world that has always been around us, that may be an even greater reality..."
WHOS THERE
I ME YOU ENTANGLEMENTS MENTAL ANGLE ANGEL ANGLE MENTAL ENTANGLE MENTALLY MENTALLY ENTANGLE KARMAS THOUGHT ENTANGLEMENT THOUGHT KARMAS 0123456789 REAL REALITY REVEALED REALITY REAL 9876543210 0987654321 GODS REAL REALITY REAL GODS 1234567890
ABCDEFGHIJKLMNOPQRSTUVWXYZ WELCOME HERO WELCOME ZYXWVUTSRQPONMLKJIHGFEDCBA
JUST CATS Fernand Mery 1957 Page 24 999, in the tenth day of the fifth Moon, at the Imperial Palace of Kyoto, a cat gave birth for the first time recorded here, and to five little kittens."
THE EXPANDING UNIVERSE Arthur Eddington 1940 THE UNIVERSE AND THE ATOM Page 99 "To the pure geometer the radius of curvature is an incidental characteristic-like the grin of the Cheshire cat. To the physicist it is an indispensable 'charac- teristic. It would be going too far to say that to the physicist the cat is merely incidental to the grin. Physics is concerned with interrelatedness such as the interrelatedness of cats and grins. In this case the ., cat without a grin" and the "grin without a cat" are equally set aside as purely mathematical phantasies."
THE COSMIC CODE Heinz Pagels 1982 The Road to Quantum Reality Page165 We feel excited by his remarks, though the old uneasiness has not left us. Yet listening to him is certainly better than that marketplace. After a long silence our old friend gives us his final words. "What quantum reality is, is the reality marketplace. The house of a God that plays dice has many rooms. We can live in only one room at a time, but it is the whole house that is reality."He gets up and leaves us. Only the smoke from his pipe remains, and then, like the smile of the Cheshire cat, that too disappears."
ALICE'S ADVENTURES IN WONDERLAND Lewis Carroll Page 61 "and was just saying to herself, 'if one only knew the right way to change them-' when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off.
The Cat only grinned when it saw Alice. It looked good- natured, she thought: still it had very long claws and a great many teeth, so she felt that it ought to be treated with respect. 'Cheshire Puss,' she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. 'Come, it's pleased so far,' thought Alice, and she went on. 'Would you tell me, please, which way I ought to go from here?' 'That depends a good deal on where you want to get to,' said the Cat. 'I don't much care where--' said Alice. 'Then it doesn't matter which way you go,' said the Cat. '-so long as I get somewhere,' Alice added as an explanation. 'Oh, you're sure to do that,' said the Cat, 'if you only walk long enough.' "
CAT AMONGST THE CATACOMBS
THE DEATH OF FOREVER Darryl Reaney 1991 Page 27 "The box is set up in such a way that any such disintegration will break open the poison capsule, releasing enough poison to kill the cat; in the time interval allowed for this 'thought experiment' there is an exactly 50:50 chance that the atom will or will not decay. This is the basis of Schroedinger's paradox. The observer outside the box cannot know whether an atom inside the box has decayed (opening the capsule and killing the cat) unless he looks. The condition of the cat (alive or dead) is therefore a litmus test of reality itself. According to the strict interpretation of the quantum wave, in the absence of observation, the cat in the box is neither alive nor dead but in some indeterminate, wave-like, in-between state. It is only when the consciousness of an observer enters the picture that the complex ripple of possibility that is the indeterminate 'alive and dead at the same time' quantum cat crystallises into one of the two possible real outcomes: either the cat is alive (no atom has decayed) or the cat is dead (an atom has decayed). In short, it is the observer's decision (his choice) to open the box that summons forth a real cat, dead or alive, from its ghostly quantum state of non-being."
DAILY MIRROR Jonathan Cainer Thursday May 27, 2004 SPIRITUAL HEALING Rupert Sheldrake Page 54 "Last month I wrote about after death contacts, when people feel the presence of someone who has passed on, it turns out that many readers have had these expe-riences, mostly with dearly loved spouses, parents or children..."
DAILY MIRROR Thursday May 27, 2004 Geoffrey Lakeman Page 35 SLABBY CAT Pet's tombstone is 900-yr old carving
JUST CATS Fernand Mery 1957 Page 24 "In the year 999, in the tenth day of the Fifth Moon, at the Imperial Palace of Kyoto, a cat gave birth for the first time recorded here, and to five little kittens." IN THE YEAR 999 GREAT CAT TALES Anthology 1992 THE CHESHIRE CAT Lewis Carroll Page 349 (number omitted) "...The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had very long claws and a great many teeth, so she felt that it ought to be treated with respect.
Sir Arthur Eddington 1932 Page 99 To the pure geometer the radius of curvature is an incidental characteristic-like the grin of the Cheshire cat. To the physicist it is an indispensible character-istic, It would be going too far to say that to the physicist the cat is merely incidental to the grin.
GREAT CAT TALES Anthology 1992 HE CHESHIRE CAT Lewis Carroll Page 351 "All right,' said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which waited some time after the rest of it had gone.
GREAT CAT TALES Anthology 1992 Mike Ernest A.Wallace Budge Page 383 / 4 "(The cat who assisted in keeping the main gate of the British Museum from February, 1909, to January 1929)"
SUPERNATURE Lyall Watson Page 96 RESONANCE If a tuning fork designed to produce a frequency of 256 cycles a second (that is, middle C), is sounded anywhere near another fork with the same natural frequency, the second one will begin to vibrate gentlyy in sympathy with the first, even without being touched. Energy has been transferred from one to the other. An insect without ears would not be able to hear the sound of the first fork, but if it were sitting on the second one, it would very soon become aware of the vibration - and thus of events taking place beyond its normal sphere. This is what Supernature is all about.
Fernand Mery FROM LEGEND TO HISTORY "By studying Egyptian mummified cats Cuvier thought it possible to prove that the species is immutable. On the other hand, Darwin, by taking a cat to Paraguay, proved how'little change is needed to alter an animal to the point of giving it a new form. EGYPT, PARADISE OF CATS What do we know of ancient Egypt, a shadowy country beginning at Karnak in the midst of the temples of Thebes and reaching its apotheosis in the sombre tombs of the Valley of Kings? The gods, with human bones and / Page 18 / animal heads, expressed by their strange form the limitations of a world to which the minds of mere men had no access. Page 19 No archaeologist was on the spot to prevent the inevitable vandalism; stupidly the graveyard was destroyed- an irreparable loss. It would have been enough to have kept just a random hundred of these cats for us to know now what the colouring and texture of the hair of these first cats were. By taking an average, we should have gained an approximate idea of their size.
IN SEARCH OF SCHRODINGER'S CAT John Gribbin 1984 PROLOGUE NOTHING IS REAL Page 1 "The cat of our title is a mythical beast, but Schrodinger was a real person. Erwin Schrodinger was an Austrian scientist instrumental in the development, in the mid-1920s, of the equations of a branch of science now known as quantum mechanics. Branch of science is hardly the correct expression, however, because quantum mechanics provides the fundamental underpinning of all of modem science. The equations describe the behavior of very small objects-generally speaking, the size of atoms or smaller-and they provide the only understanding of the world of the very small. Without these equations, physicists would be unable to design working nuclear power stations (or bombs), build lasers, or explain how the sun stays hot. Without quantum mechanics, chemistry would still be in the Dark Ages, and there would be no science of molecular biology-no under- standing of DNA, no genetic engineering-at all. www.mixx.com/.../woman_calls_uk_911_because_cat_s_playing_with_string_999_cat_playing_with_string_jezebel - Cached -Flickr: Views: 500 to 999 - Domestic Cats Only Thanks for making this work! Comment on other photos in the pool! You know how we love 'em! Views: 500 to 999 - Domestic Cats Only Pool on Flickriver ... www.flickr.com/groups/14781942@N00 - Cached -Woman Calls UK 911 Because Cat's Playing With String - 999 Cat ... 29 Dec 2009 ... Manchester, England police say they're getting far too many non-emergency calls to 999, the UK's 911 equivalent. www.guardian.co.uk/society/blog/2009/dec/.../unnecessary-999-calls - Cached -Woman Calls UK 911 Because Cat's Playing With String - 999 Cat ... You know, the solution to her problem is to put the string where the cat can't get it!!! Red-headed bookworm. www.rubylane.com/.../,cs=Artisan+Jewelry:Necklaces:22k+Gold+And+.999+Fine+Silver+Cat,id=1.3.1.html - Cached -Woman's 999 call over playful cat [UK] 29 Dec 2009 ... A woman made an emergency 999 call to Greater Manchester Police (GMP) to say her cat was "doing her head in" because it was playing with ... www.freerepublic.com/focus/f-chat/2417052/posts - Cached -CBBC - Newsround - Woman rang 999 for help with cat 29 Dec 2009 ... A woman rang Greater Manchester Police because her pet cat was playing with string and she couldn't cope with it. -Emergency 999 call over cat playing with string // current Emergency 999 call over cat playing with string. "Woman Calls UK 911 Because Cat's Playing With String [Halp Plz]" and related posts. -Cats image by Tabata-999 on Photobucket Photobucket cats-1.png picture, this photo was uploaded by Tabata-999. Browse other cats-1.png pictures and photos or upload your own with Photobucket free ...
SING A SONG OF SOLEMN SOLOMON
WHY SMASH ATOMS A,K.Solomon 1940
"ONCE THE FAIRY TALE HERO HAS PENETRATED THE RING OF FIRE ROUND THE MAGIC MOUNTAIN HE IS FREE TO WOO THE HEROINE IN HER CASTLE ON THE MOUNTAIN TOP"
THE TRUE AND INVISIBLE ROSICRUCIAN ORDER Paul Foster Case 1981 Page 108 "...the underlying purpose of the Fama, when it says the object of the manifesto is to reveal man's nobleness and worth and why he is called Microcosmus. For Microcosmus (or Microcosmos) is simply the Paracelsian adaptation of the Qabalistic Microprosopus, or Lesser Countenance. The Zohar says that all is contained in the mystery of Vav, and thereby all is revealed. The same Qabalistic authority connects Vav with the Son of David, and this was interpreted by erudite Europe in the seventeenth century, as a reference to the Christos. Attached to the nail was a stone. This is the same stone we have , mentioned before. It is the Stone rejected by the builders. It is the Stone of the Philosophers. It is ABN, Ehben, signifying the union of the Son with the Father. We have already said that Henry Khunrath published in 1609 a book called Amphitheatrum Chemicum, in which appears an illustration showing the word ABN, Ehben, enclosed in a triangle. This radiant triangle, with the letters ABN at its corners, is borne by a dragon, and the dragon is on top of a mountain. The mountain is in the middle or center of an enclosure, surrounded by a wall having seven sides, whose corners bear the words, reading from left to right or clockwise around the wall: Dissolution, Purification, Azoth Pondus, Solution, Multiplication, Fermentation, Projec-tion. Thus, the inner wall summarizes the alchemical operations. Its gate has the motto Non omnibus, meaning "Not for all," as if to intimate that entrance into the central mystery is not for everyone. . Surrounding this inner wall is another in the form of a seven- pointed star, composed of fourteen equal lines. The gate to this outer wall is flanked by two triangular pyramids, or obelisks. Over one is the sun, and this obelisk is named Faith. Over the other is the moon, and this pillar is named Taciturnity, or Silence. Between the pillars, in the gate, is a figure bearing the caduceus of Hermes or Mercury, standing behind a table on which is written "Good Works." Below is the motto: "The ignorant deride what the wise extol and admire." Thus, in Khunrath's diagram we have the same association be- tween a seven-sided figure and a stone that occurs in the Fama. The mystic mountain, with the dragon at its summit, is also a Rosicrucian symbol, as one may see in Thomas Vaughan's Lumen de Lumine, where Section 2 is entitled "A Letter from the Brothers of R.C., Concerning the Invisible, Magical Mountain and the Treasure therein Contained." Incidentally, the title of this section is a clear enough intimation that Thomas Vaughan was in communication with the Invisible Order, although he says in one of his books that he has "no acquaintance with this Fraternity as to their persons." Vaughan further says, concerning the Rosicrucians: Every sophister condemns them, because they appear not to the world, and concludes there is no such society, because he is not a member of it. There is scarce a reader so just as to consider upon what grounds they conceal
Paul Foster Case 1981 Page 108 "Concerning the Invisible, Magical Mountain and the Treasure therein Contained"
THE MAGIC MOUNTAIN Thomas Mann 1875 - 1955 FOREWORD "THE STORY of Hans Castorp, which we would here set forth, not on his own account, for in him the reader will make acquaintance with a simple-minded though pleasing young man, but for the sake of the story itself, which seems to us highly worth telling - though it must needs be borne in mind, in Hans Castorp's behalf, that it is his story, and not every story happens to everybody- this story, we say, belongs to the long ago; is already, so to speak, covered with historic mould, and unquestionably to be presented in the tense best suited to a narrative out of the depth of the past That should be no drawback to a story, but rather the reverse. Since histories must be in the past, then the more past the better, it would seem, for them in their character as histories, and for him, the teller of them, rounding wizard of times gone by. With this story, moreover, it stands as it does to-day with human beings, not least among them writers of tales: 'it is far older than its years; its age may not be measured by.length of days, nor the weight of time on its head reckoned by the rising or setting of suns. In a word, the degree of its antiquity has noways to do with the pas- sage of time - in which statement the author intentionally touches upon the strange and questionable double nature of that riddling element. But we would not wilfully obscure a plain matter. The exag-gerated pastness of our narrative is due to its taking place before the epoch when a certain crisis shattered its way through life and consciousness and left a deep chasm behind. It takes place - or, rather, deliberately to avoid the present tense, it took place, and had taken place - in the long ago, in the old days, the days of the world before the Great War, in the beginning of which so much began that has scarcely yet left off beginning. Yes, it took place before that; yet not so long before. Is not the pastness of the past the profounder, the completer, the more legendary, the more im- mediately before the present it falls? More than that, our story has, of its own nature, something of the legend about it now and again. Page xii We shall tell it at length, thoroughly, in detail- for when did a narrative seem too long or too short by reason of the actual time or space it took up? We do not fear being called meticulous, in-clining as we do to the view that only the exhaustive can be truly -interesting. Not all in a minute, then, will the narrator be finished with the story of our Hans. The seven days of a week will not suffice, no, nor seven months either. Best not too soon make too plain how much mortal time must pass over his head while he sits spun round in his spell. Heaven forbid it should be seven years!"
And now we begin."
IN SEARCH OF EXTRA TERRESTRIALS Alan Landsburg 1977 Page 79 "as I lay gazing at the star-dusted sky, a strange feeling of utter loneliness crept over me. Those who live in cities never see the sky as it was that evening. It was like an enormous intergalactic fireworks display-here and there a shooting star, whole whorls of many solar systems, distant suns and galaxies spar-kling across the vast ice reaches of outer space.
The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now, my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming." The past fifteen years have reversed the thinking of the scientific community regarding extraterrestrial life, known as ETI. And while speculation about ETI has always been a heated one, today large segments of the scientific establishment are examining the hard proba- bilities that the universe is populated and that our galaxy is teeming with life. The problem-should say challenge - is more "how" than "if." "
SCIENCE AND EVERYDAY LIFE J.B.S Haldane 1939 "The truth about human races, when we know it, will no doubt be complicated. But one simple theory which is certainly nearer the truth than Hitler's was stated by old Andrew Marvell 270 years ago: " The world in all doth but two nations bear, The good, the bad, and these mixed everywhere."
MIN DOTH DREAM WHAT DOTH MIN MEAN
I ISISIS THATNINETHAT LIVINGLIGHTLIVING EVILLIVEEVILLIVEEVILLIVE DEVILLIVEDLIVEDDEVILLIVEDDEVIL LOVEEVOLVELOVEGODSLOVEEVOLVELOVE THERA7EARTH7HEART7HEART7EARTH7THERA
MIN DOTH DREAM WHAT DOTH MIN MEAN
FIRST CONTACT THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE Edited By Ben Bova and Byron Preiss 1990 A MARTIAN ODYSSEY Stanley G Weinbaum "Anyway, the creatures went sailing past us; everyone greeting us with the same statement. It got to be funny; I never thought to find so many friends on this God- forsaken ball! Finally I made a puzzled gesture to Tweel; I guess he understood, for he said, "One-one-two- yes! -two-two-four - no!" Get it?' 'Sure,' said Harrison. 'It's a Martian nursery rhyme.' 'Yeah! Well, I was getting used to Tweel's symbolism, and I figured it out this way. "One-one-two - yes!" The creatures were intelligent. "Two-two-four - no!" Their intelligence was not of our order, but something different and beyond the logic of two and two is four. Maybe I missed his meaning. Perhaps he meant that their minds were of low degree, able to figure out the simple things - "One-one-two - yes!" - but not more difficult things - "Two-two-four - no!" But I think from what we saw later that he meant the other. 'After a few moments, the creatures came rushing back - first one, then another. Their pushcarts were full of stones, sand, chunks of rubbery plants, and such rubbish as that. They droned out their friendly greeting, which didn't really sound so friendly, and dashed on. The third one I assumed to be my first acquaintance and I decided to have another chat with him. I stepped into his path again and waited. 'Up he came, booming out his "We are v-r-r-riends" and stopped. I looked at him; four or five of his eyes looked at me. He tried his password again and gave a shove on his cart, but I stood firm. And then the - the dashed creature reached out one of his arms, and two finger-like nippers tweaked my nose!'..."
THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE Edited By Ben Bova and Byron Preiss 1990 SETI ON CAMPUS Robert Dixon Page 252 Have we already detected extraterrestrial intelligence?" A UNIQUE MOMENT IN HUMAN HISTORY FIRST CONTACT SEIZING THE MOMENT Michael Michaud Page 314 Philip Morrison has suggested that aliens might send us a volume of information greater than that transmitted to medieval Europe from the ancient Greeks, stimulating a new and even greater Renaissance. By entering a communications net, we might receive maps of the Galaxy, and elaborate descriptions of the physical Universe and how it works. We might learn the histories of civilizations stretching far back into the galactic past, and become aware of alternative cultures, arts, social and economic systems, and forms of political organization. Deliberately or by implication, the aliens might tell us how they had survived. It is intriguing to consider how much we could contribute to the other side of the dialogue. Alien knowledge, integrated with our own, could generate a dramatic forward leap in our sciences and our other academic disciplines. For the first time, we could compare our information and our perceptions with those of other minds in different environments, illuminating voids in our own knowledge and suggesting new generalizations. This almost certainly would lead to new syntheses, a boom in interdisciplinary studies as we perceived new linkages, and new branches of science. Dealing with this influx of new knowledge could force us into mind-stretching responses. Our curiosity would be stimulated by finding out how much we had not known. Contact also could reveal areas of shared knowledge, supporting our own conclusions; this might include religious concepts such as creation or a Supreme Being. But we should beware of excessive optimism about this exchange of information; communication with an alien civilization may not be easy. No matter what we / Page 315 / wish to believe, aliens, by definition, will be very different. While they may share some of our perceptions of physical reality and some of our evolutionary experiences, their evolutions would differ from ours in many ways, and we might share little in philosophy and culture. There could be serious problems of mutual unintelligibility, or misunderstandings caused by different ways of perceiving reality and by different cultural frames of reference. We might find that our own concepts of language, including mathematics, are narrow and idiosyncratic. We also should not assume that the aliens will want to tell us everything. Transmitting the species data bank might not be the aliens' first priority. They might want to know first our capabilities and our intentions to assure themselves that their security would not be threatened. There might be things they would not want to tell us, such as how to achieve interstellar flight or how to create more powerful weapons. Receiving knowledge much more advanced than our own, and the solutions to problems we have struggled with for years, could break the intellectual morale of some scientists and other scholars, and undermine support for some forms of research. Instead, we might simply wait for alien answers, and translate them into our terms. Humans concerned about their personal and institutional interests might resist the dissemination of some alien information, or seek to brand it as dangerous, immoral, or subversive. Receiving, interpreting, and disseminating information from extraterrestrials could be a major enterprise for humanity, almost certainly requiring new institutions. Since control over this information could bring great power and status, there would be a strong / Page 316 / temptation to monopolize the channel and to limit access by others. Individual nations or groups might attempt to conduct separate dialogues with the aliens to exploit contact for their own purposes. Political and governmental leaders would be concerned about the impact that contact could have on their populations, and might try to let through only those ideas they considered safe. National security policy-makers might argue for classification of the contact and the information received. Some scholars, particularly those personally involved in the first contact, might be equally possessive about the information and the channel, especially if they distrusted governments and held a low opinion of the general population. Entrepreneurs might compete to get first access to alien ideas and to monopolize or patent those with commercial value."
CHEIRO'S BOOK OF NUMBERS Circa 1926 Page106 "Shakespeare, that Prince of Philosophers, whose thoughts will adorn English litera- ture for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune. " The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood? My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all."
153 fishes x 12 Disciples ISISIS 1836
1836 DIVIDED 34 = 54
PLATO6666666999999999666666OTALP
ANUBIS ANUBIS A NUMBER IS
THE ROOTS OF COINCIDENCE Arthur Koestler 1972 Page 88 "Euclidian geometries, invented by earlier mathematicians more or less as a game, provided the basis for his relativistic cosmology Another great physicist whose thoughts moved in a similar direction was Wolfgang Pauli. At the end of the 1932 conference on nuclear physics in Copenhagen the participants, as was their custom on these occasions, performed a skit full of that quantum humour of which we have already had a few samples. In that particular year they produced a parody of Goethe's Faust, in which Wolfgang Pauli was cast in the role of Mephistopheles; his Gretchen was the neutrino, whose existence Pauli had predicted, but which had not yet been discovered. MEPHISTOPHELES (to Faust): Beware, beware, of Reason and of Science Man's highest powers, unholy in alliance. You'll let yourself, through dazzling witchcraft yield To weird temptations of the quantum field. Enter Gretchen; she sings to Faust. Melody: "Gretchen at the Spinning Wheel" by Schubert. GRETCHEN: My rest-mass is zero My charge is the same You are my hero Neutrino's my name."
THE CLOCKS ALL SAY THE HOURS OF HORUS HAVE ARRIVED AND THE DIE ALL READ FIVE LIVING FORM FROM OUT THE IN OF GODS LIVING FORM
LOOKING FOR THE ALIENS A PSYCHOLOGICAL, SCIENTIFIC AND IMAGINATIVE INVESTIGATION Peter Hough & Jenny Randles 1991 12 Page 98 Somewhere over the Interstellar Rainbow "In 1985, Glasgow University astronomer Professor Archie Roy was in buoyant mood. He told a journalist from the London Observer that, with new efforts to search the universe for intelligent signals, 'we can expect to make contact very quickly, probably within a decade.' He added that he thought civilizations were 'ten a penny' in the cosmos. A year later, in an interview with Paul Whitehead in Flying Saucer Reuiew (volume 31, number 3,1986) Professor Roy confirmed this view by saying, 'if we are the product of natural evolution, it is highly improbable that we are alone in the universe.' Presumably this leaves the door open just in case we are not solely the product of natura1 processes (as scientists understandably assume), but are also the creation of a mystic force, otherwise known as God. Roy actively pursues his broad1y based interest in this search. He subsequently became associated with Flying Saucer Review, and he has also become an active researcher and spokesperson in the heated debate over the potential 'alien' messages said by some to lie behind those crop circles recently found dotting the rural landscapes of our world. For instance, in 1981 Michael Papagiannis, of the astronomy department at Boston University, said that: The euphoric optimism of the 'sixties and early 'seventies that communication with extraterrestrial civilizations seemed quite possible is being slowly replaced in the last couple of years by a pessimistic acceptance that we might be the only technological civilization in the entire galaxy. One can hardly find more polarized opinions than these, and they represent a crucial debate that increasingly dominates the field. While there seems to be a gut reaction based on deductive logic shared by most scientists, implying that life should be 'out there' in great abundance, there is mounting concern at our continued failure to find it. Long before we understood the universe in any detail, we dreamt about this quest for alien life, and, as we have seen, still speculate on /Page 99 / what forms such beings might take. When science fiction became popular during the last century, we even began to wonder how we might establish contact. Early ideas were ingenious, but impractical: such as building a giant mirror and using sunlight to send Morse-code signals to the (then still plausible) inhabitants of the moon or Mars. Of course, the limitations of physics meant that this could never work, even if there were Martians to see the signals. Only the brightest light that we can produce (a nuclear explosion) is potentially visible from another world and this lasts such a brief time that it is hardly likely to produce incontrovertible proof of life on earth. Alien scientists would dismiss any sightings just as freely as ours now reject claims about UFO appearances. Another problem concerned the code to be used. How could the Martians have recognized the message, even if they had been able to see it? To thcm it would have been a meaningless series of flashes. How would they have unravelled any meaning behind it? This problem exists even if it is assumed (as it nearly always was back then) that Martians, although probably looking like bug-eyed monsters, would still think like human beings. The truth is surely that aliens would be alien in every way and their thought processes would not work in the same manner as ours. That said, the chances of any message from us to them being remotely comprehensible appear to be feeble. In science-fiction stories and films, such a problem is largely ignored, but that is merely an expediency to help the plot along. We suspend scientific logic to accommodate the story line. However, in any real search for life in the universe, we cannot afford to ignore such scientific reasoning. This complicates matters so much that one or two researchers even think it is a forlorn task. We will never communicate with an alien intelligence, even if we do come across one by chance. The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse. Page 99 "The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse".
THE MERRY ASS OF SERENDIP
....
THE SCULPTURE OF VIBRATIONS 1971
THE LIGHT IS RISING NOW RISING IS THE LIGHT
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70 ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE 5 x 14 = 70 LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
14 x 5 x 14 ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE 14 x 5 x 14 LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE Z5RO O55 T5O THR55 FOUR FIV5 SIX S5V55 5IGHT 5I55 LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S 5 x 14 = 70 LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES 5 x14 = 70
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S 5 x 14 = 70 LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES 5 x 14 = 70 LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S 5 x 14 = 70 LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES 5 x 14 = 70
"The Piper at the Gates of Dawn" Piper at the Gates of Dawn: Pan, Kenneth Grahame and Wind ...http://www.strangehistory.net › 2015/04/06 › piper-at-t... THE WIND IN THE WILLOWS
THE PIPER AT THE GATES OF DAWN
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S 5 x 6 = 30 "The most common letter in the English alphabet is E."
THE PIPER AT THE GATES OF DAWN TH5 PIP5R AT TH5 GAT5S OF DA55 THE PIPER AT THE GATES OF DAWN
FIRST CONTACT 1980
GOD WITH US AND US WITH GOD
"The virgin will conceive and give birth to a son, and they will call him Immanuel" (which means "God with us"). “Behold, the virgin shall conceive and bear a son, and they shall call his name Immanuel” (which means, God with us). Matthew 1:23 "The virgin will conceive and give birth to a ... biblehub.com/matthew/1-23.htm
The Meaning of Immanuel, God with Us www.orlutheran.com/html/immanuel.html And this very special Christmas name, as Matthew tells us, means "God with us." Jesus Christ is Immanuel, "God with us," and I'd like to share why this is so ... Matthew 1:23 "The virgin will conceive and give birth to a ... matthew/1-23.
Christ Emmanuel or God with Us - Grace Gems! www.gracegems.org/W/e1.htm "They shall call His name Emmanuel, which being interpreted is, God with us. ... give birth to a son, and they will call him Immanuel– which means, 'God with us.
Isaiah 7:14 Explained - Immanuel God With Us www.bibleanswerstand.org/immanuel.htm This study is aimed at finding the true meaning of Immanuel in Isaiah 7:14. ... texts for the deity of Jesus Christ because of the words, “Immanuel,” (God with us).
Why wasn't Jesus named Immanuel? - GotQuestions.org www.gotquestions.org/Immanuel-Jesus.html by S. Michael Houdmann - Jesus was God making His dwelling among us (John 1:1,14). No, Jesus' name was not Immanuel, but Jesus was the meaning of Immanuel, "God with us.
Words Around "Emmanuel" in the English Dictionary "The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, while extending his love in bringing their redemption."
GOD WITH US AND US WITH GOD
GOD WITH US 123456789 987654321 US WITH GOD
AFRICAN NIGHTMARE 1975 SPECTRE OF FAMINE
SCULPTURE OF VIBRATIONS 1971
A HISTORY OF GOD Karen Armstrong The God of the Mystics THE BOOK OF CREATION "THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"
CHEIRO'S BOOK OF NUMBERS Circa 1926 Page106 The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE QUESTION HAS BEEN ASKED AGAIN AND AGAIN IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE THE TIDE AT THE FLOOD
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Page 254 "...Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere:..."
THE LURE AND ROMANCE OF ALCHEMY. A history of the secret link between magic and science 1990 Page# 31 / 32 note 1 Julius Ruska ,Tabula Smaragdini 1926 "THE EMERALD TABLE OF HERMES: " "True it is, without falsehood certain most true.That which is
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
THE UNIVERSAL SOLDIER 1971
|
 |
||
|
|
||
|
|
|
|
|
|
||
...
.gif)
